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Best best essay editing site for masters - edu.ng Till recently I thought it didn't, but the truth turns out to be more complicated. I first heard the phrase "Web 2.0" in the name of the Web 2.0 conference in 2004. And yet those who dislike the term are probably right, because if it means what I think it does, we don't need it. At the time it was supposed to mean using "the web as a platform," which I took to refer to web-based applications. So I was surprised at a conference this summer when Tim O'Reilly led a session intended to figure out a definition of "Web 2.0." Didn't it already mean using the web as a platform? And if it didn't already mean something, why did we need the phrase at all? Origins Tim says the phrase "Web 2.0" first arose in "a brainstorming session between O'Reilly and Medialive International." What is Medialive International? "Producers of technology tradeshows and conferences," according to their site. So presumably that's what this brainstorming session was about. O'Reilly wanted to organize a conference about the web, and they were wondering what to call it. I don't think there was any deliberate plan to suggest there was a new version of the web. They just wanted to make the point that the web mattered again. But the new version number led to some awkwardness in the short term. It was a kind of semantic deficit spending: they knew new things were coming, and the "2.0" referred to whatever those might turn out to be. In the process of developing the pitch for the first conference, someone must have decided they'd better take a stab at explaining what that "2.0" referred to. Whatever it meant, "the web as a platform" was at least not too constricting. The story about "Web 2.0" meaning the web as a platform didn't live much past the first conference. By the second conference, what "Web 2.0" seemed to mean was something about democracy. At least, it did when people wrote about it online. It cost $2800, so the only people who could afford to go were VCs and people from big companies. And yet, oddly enough, Ryan Singel's article about the conference in Wired News spoke of "throngs of geeks." When a friend of mine asked Ryan about this, it was news to him. Even Tim O'Reilly was wearing a suit, a sight so alien I couldn't parse it at first. He said he'd originally written something like "throngs of VCs and biz dev guys" but had later shortened it just to "throngs," and that this must have in turn been expanded by the editors into "throngs of geeks." After all, a Web 2.0 conference would presumably be full of geeks, right? I saw him walk by and said to one of the O'Reilly people "that guy looks just like Tim.""Oh, that's Tim. He bought a suit." I ran after him, and sure enough, it was. The 2005 Web 2.0 conference reminded me of Internet trade shows during the Bubble, full of prowling VCs looking for the next hot startup. Whatever was going to happen—whatever Web 2.0 turned out to be. It's to be expected that once we started to pull out of the bust, there would be a lot of growth in this area, just as there was in the industries that spiked the sharpest before the Depression. There was that same odd atmosphere created by a large number of people determined not to miss out. I wouldn't quite call it "Bubble 2.0" just because VCs are eager to invest again. The reason this won't turn into a second Bubble is that the IPO market is gone. The reason they were funding all those laughable startups during the late 90s was that they hoped to sell them to gullible retail investors; they hoped to be laughing all the way to the bank. Now the default exit strategy is to get bought, and acquirers are less prone to irrational exuberance than IPO investors. The closest you'll get to Bubble valuations is Rupert Murdoch paying $580 million for Myspace. Ajax Does "Web 2.0" mean anything more than the name of a conference yet? When people say "Web 2.0" now, I have some idea what they mean. And the fact that I both despise the phrase and understand it is the surest proof that it has started to mean something. One ingredient of its meaning is certainly Ajax, which I can still only just bear to use without scare quotes. Basically, what "Ajax" means is "Javascript now works." And that in turn means that web-based applications can now be made to work much more like desktop ones. As you read this, a whole new generation of software is being written to take advantage of Ajax. There hasn't been such a wave of new applications since microcomputers first appeared. Even Microsoft sees it, but it's too late for them to do anything more than leak "internal" documents designed to give the impression they're on top of this new trend. In fact the new generation of software is being written way too fast for Microsoft even to channel it, let alone write their own in house. Their only hope now is to buy all the best Ajax startups before Google does. And even that's going to be hard, because Google has as big a head start in buying microstartups as it did in search a few years ago. After all, Google Maps, the canonical Ajax application, was the result of a startup they bought. So ironically the original description of the Web 2.0 conference turned out to be partially right: web-based applications are a big component of Web 2.0. The Ajax boom didn't start till early 2005, when Google Maps appeared and the term "Ajax" was coined.2. Democracy The second big element of Web 2.0 is democracy. We now have several examples to prove that amateurs can surpass professionals, when they have the right kind of system to channel their efforts. Experts have given Wikipedia middling reviews, but they miss the critical point: it's good enough. And it's free, which means people actually read it. On the web, articles you have to pay for might as well not exist. Even if you were willing to pay to read them yourself, you can't link to them. Another place democracy seems to win is in deciding what counts as news. I know if something major happens, or someone writes a particularly interesting article, it will show up there. Why bother checking the front page of any specific paper or magazine? Reddit's like an RSS feed for the whole web, with a filter for quality. Similar sites include Digg, a technology news site that's rapidly approaching Slashdot in popularity, and us, the collaborative bookmarking network that set off the "tagging" movement. And whereas Wikipedia's main appeal is that it's good enough and free, these sites suggest that voters do a significantly better job than human editors. The most dramatic example of Web 2.0 democracy is not in the selection of ideas, but their production. I've noticed for a while that the stuff I read on individual people's sites is as good as or better than the stuff I read in newspapers and magazines. And now I have independent evidence: the top links on Reddit are generally links to individual people's sites rather than to magazine articles or news stories. My experience of writing for magazines suggests an explanation. They control the topics you can write about, and they can generally rewrite whatever you produce. Editing yields 95th percentile writing—95% of articles are improved by it, but 5% are dragged down. 5% of the time you get "throngs of geeks."On the web, people can publish whatever they want. Nearly all of it falls short of the editor-damped writing in print publications. If it's large enough, the lack of damping means the best writing online should surpass the best in print. And now that the web has evolved mechanisms for selecting good stuff, the web wins net. Selection beats damping, for the same reason market economies beat centrally planned ones. They are to the startups of the Bubble what bloggers are to the print media. During the Bubble, a startup meant a company headed by an MBA that was blowing through several million dollars of VC money to "get big fast" in the most literal sense. Now it means a smaller, younger, more technical group that just decided to make something great. They'll decide later if they want to raise VC-scale funding, and if they take it, they'll take it on their terms.3. Don't Maltreat Users I think everyone would agree that democracy and Ajax are elements of "Web 2.0." I also see a third: not to maltreat users. During the Bubble a lot of popular sites were quite high-handed with users. And not just in obvious ways, like making them register, or subjecting them to annoying ads. The very design of the average site in the late 90s was an abuse. Many of the most popular sites were loaded with obtrusive branding that made them slow to load and sent the user the message: this is our site, not yours. (There's a physical analog in the Intel and Microsoft stickers that come on some laptops.)I think the root of the problem was that sites felt they were giving something away for free, and till recently a company giving anything away for free could be pretty high-handed about it. Sometimes it reached the point of economic sadism: site owners assumed that the more pain they caused the user, the more benefit it must be to them. The most dramatic remnant of this model may be at salon.com, where you can read the beginning of a story, but to get the rest you have sit through a movie. At Y Combinator we advise all the startups we fund never to lord it over users. Never make users register, unless you need to in order to store something for them. If you do make users register, never make them wait for a confirmation link in an email; in fact, don't even ask for their email address unless you need it for some reason. Never send them email unless they explicitly ask for it. Never frame pages you link to, or open them in new windows. If you have a free version and a pay version, don't make the free version too restricted. In How to Start a Startup I advised startups never to let anyone fly under them, meaning never to let any other company offer a cheaper, easier solution. And if you find yourself asking "should we allow users to do x? Another way to fly low is to give users more power. If you don't and a competitor does, you're in trouble.i Tunes is Web 2.0ish in this sense. Finally you can buy individual songs instead of having to buy whole albums. The recording industry hated the idea and resisted it as long as possible. But it was obvious what users wanted, so Apple flew under the labels. Though really it might be better to describe i Tunes as Web 1.5. Web 2.0 applied to music would probably mean individual bands giving away DRMless songs for free. The ultimate way to be nice to users is to give them something for free that competitors charge for. During the 90s a lot of people probably thought we'd have some working system for micropayments by now. The most successful sites are the ones that figure out new ways to give stuff away for free. Craigslist has largely destroyed the classified ad sites of the 90s, and Ok Cupid looks likely to do the same to the previous generation of dating sites. If you can make even a fraction of a cent per page view, you can make a profit. And technology for targeting ads continues to improve. I wouldn't be surprised if ten years from now e Bay had been supplanted by an ad-supported free Bay (or, more likely, g Bay). Odd as it might sound, we tell startups that they should try to make as little money as possible. I suspect the pin will be wielded by a couple of 20 year old hackers who are too naive to be intimidated by the idea. )The Common Thread Ajax, democracy, and not dissing users. I didn't realize they had anything in common till recently, which is one of the reasons I disliked the term "Web 2.0" so much. If you can figure out a way to turn a billion dollar industry into a fifty million dollar industry, so much the better, if all fifty million go to you. It seemed that it was being used as a label for whatever happened to be new—that it didn't predict anything. Web 2.0 means using the web the way it's meant to be used. Though indeed, making things cheaper often turns out to generate more money in the end, just as automating things often turns out to generate more jobs. What a bang that balloon is going to make when someone pops it by offering a free web-based alternative to MS Office. The "trends" we're seeing now are simply the inherent nature of the web emerging from under the broken models that got imposed on it during the Bubble. I realized this when I read an interview with Joe Kraus, the co-founder of Excite. Excite really never got the business model right at all. We fell into the classic problem of how when a new medium comes out it adopts the practices, the content, the business models of the old medium—which fails, and then the more appropriate models get figured out. It may have seemed as if not much was happening during the years after the Bubble burst. But in retrospect, something was happening: the web was finding its natural angle of repose. The democracy component, for example—that's not an innovation, in the sense of something someone made happen. Ditto for the idea of delivering desktop-like applications over the web. But the first time around it was co-opted by Sun, and we got Java applets. Java has since been remade into a generic replacement for C , but in 1996 the story about Java was that it represented a new model of software. Instead of desktop applications, you'd run Java "applets" delivered from a server. Microsoft helped kill it, but it would have died anyway. When you find PR firms promoting something as the next development platform, you can be sure it's not. If it were, you wouldn't need PR firms to tell you, because hackers would already be writing stuff on top of it, the way sites like Busmonster used Google Maps as a platform before Google even meant it to be one. The proof that Ajax is the next hot platform is that thousands of hackers have spontaneously started building things on top of it. There's another thing all three components of Web 2.0 have in common. Suppose you approached investors with the following idea for a Web 2.0 startup: Sites like us and flickr allow users to "tag" content with descriptive tokens. But there is also huge source of implicit tags that they ignore: the text within web links. Moreover, these links represent a social network connecting the individuals and organizations who created the pages, and by using graph theory we can compute from this network an estimate of the reputation of each member. We plan to mine the web for these implicit tags, and use them together with the reputation hierarchy they embody to enhance web searches. How long do you think it would take them on average to realize that it was a description of Google? Google was a pioneer in all three components of Web 2.0: their core business sounds crushingly hip when described in Web 2.0 terms, "Don't maltreat users" is a subset of "Don't be evil," and of course Google set off the whole Ajax boom with Google Maps. Web 2.0 means using the web as it was meant to be used, and Google does. They're sailing with the wind, instead of sitting becalmed praying for a business model, like the print media, or trying to tack upwind by suing their customers, like Microsoft and the record labels. Google doesn't try to force things to happen their way. They try to figure out what's going to happen, and arrange to be standing there when it does. That's the way to approach technology—and as business includes an ever larger technological component, the right way to do business. The fact that Google is a "Web 2.0" company shows that, while meaningful, the term is also rather bogus. It's like the word "allopathic." It just means doing things right, and it's a bad sign when you have a special word for that. Notes[] From the conference site, June 2004: "While the first wave of the Web was closely tied to the browser, the second wave extends applications across the web and enables a new generation of services and business opportunities." To the extent this means anything, it seems to be about web-based applications.[] Disclosure: Reddit was funded by Y Combinator. But although I started using it out of loyalty to the home team, I've become a genuine addict. MSFT, having sold all my shares earlier this year.[] I'm not against editing. I spend more time editing than writing, and I have a group of picky friends who proofread almost everything I write. What I dislike is editing done after the fact by someone else.[] Hint: the way to create a web-based alternative to Office may not be to write every component yourself, but to establish a protocol for web-based apps to share a virtual home directory spread across multiple servers. Or it may be to write it all yourself.[] Microsoft didn't sue their customers directly, but they seem to have done all they could to help SCO sue them. Thanks to Trevor Blackwell, Sarah Harlin, Jessica Livingston, Peter Norvig, Aaron Swartz, and Jeff Weiner for reading drafts of this, and to the guys at O'Reilly and Adaptive Path for answering my questions. Creative essay editor site for. creative essay editor site for masters professional best essay. cheap critical analysis essay on hacking.

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Esl critical essay writing site ca - Lawrence Abbott is an Advanced Lecturer in the Critical Writing Program. His interests lie mainly in early- to mid-twentieth-century popular literature and popular culture. in English with a concentration in American literature. He has had a longstanding interest in graphic narrative and was one of the early writers on the subject of comics, even before the field of comics studies came into its own. He has also studied popular travel narrative; his 2010 book Jane Dolinger: The Adventurous Life of an American Travel Writer brings to light the life and work of an interesting but largely forgotten travel writer. Recently he has taught courses on comics, war literature, novels of race in America, and the literary culture of the 1960s. He has given readings at many universities and taught at Michigan, Stanford, NYU, Columbia, and Rice University where he held the Fox Chair in English. Max Apple has published two collections of stories . Max regularly hosts and introduces readings by eminent fiction writers, such as Meg Wolitzer. He has received grants from the National Endowment for the Humanities, The National Endowment for the Arts, and the Guggenheim Foundation. Click here to listen to a recording of Max Apple's reading at the Kelly Writers House on September 25, 2001. Email: [email protected] Apple is the author of Schlepping Through the Alps, a finalist for the PEN America Award for a first work of nonfiction, and American Parent. His work has appeared in The New York Times Magazine, The New Republic, Wired, The Los Angeles Times, The Financial Times Magazine, ESPN The Magazine, The MIT Technology Review, and Slate.com, among many other publications. Apple received his MFA from Columbia University and teaches creative writing and entrepreneurial journalism at the University of Pennsylvania. Herman Beavers came to Penn from Yale University, where he received his doctorate in American Studies in 1990 with a specialization in African American Literature. Professor Beavers teaches courses in African American and American literature. He values dialogue in classroom settings and thinks it is important for students to talk to one another about writing and literature. He also believes that his courses are much more about questions than static answers, especially when it comes to matters of race, gender, and class. Gallery, NY, and had a solo show at Accola Griefen Gallery, NY, in 2013. And despite having very well-defined ideas about the kind of literature he enjoys, Professor Beavers likes to think he is open to persuasion. Bee is the co-editor with Mira Schor of M/E/A/N/I/N/G Online. Email: [email protected] Bee is a painter, editor, writer, and book artist who lives in New York City. She has published 14 artists’ books including collaborations with Charles Bernstein, Johanna Drucker, Susan Howe, Regis Bonvicino, Jerome Rothenberg, and Jerome Mc Gann. She has also had fellowships and grants from Yaddo, Mac Dowell Colony, Virginia Center for the Arts, National Endowment for the Arts, and New York State Council for the Arts. She has a BA from Barnard College and a MA in Art from Hunter College. Her website is at: authors/bee/ Email: [email protected] Bernstein has published four collections of essays -- (Sun & Moon, 1985; rpt Northwestern, 2001), and Attack of the Difficult Poems: Essays & Inventions (Chicago, 2011). He is the author of over twenty collections of poetry, including Recalculating, All the Whiskey in Heaven: Selected Poems (Farrar, Straus, and Giroux, 2010), , whose first issue was published in 1978. Bernstein is executive editor of the Electronic Poetry Center ( and co-director of Penn Sound ( pennsound). Home page: bernstein Email: [email protected] english.Robert Berry is the cartoonist and originator of “Ulysses ‘seen'”, a tablet-based graphic novel adaptation of James Joyce’s “Ulysses”. His work in the development of that project led to the creation of a unique platform for educational comics and the establishing of his own digital publishing company, THROWAWAY HORSE, where he serves as editor and artistic director on similar comic-to-learning adaptations of “The Waste Land” and “The Age of Bronze”. Trained as a painter at Detroit’s Wayne State University he began making comics in 2005 and has worked for DC Comics as well as Seven Stories in their “Graphic Canon" editions. His illustrations for James Joyce’s “The Dead" were published in 2014 by Stoney Road Press and the James Joyce Centre in Dublin. His work has been seen in numerous group and solo exhibitions in Detroit, Chicago, New York, Dublin, Heidelberg and Trieste. Buzz Bissinger is the author of five nonfiction books: Friday Night Lights (a New York Times number one bestseller), A Prayer for the City (a NY Times Notable Book), Three Nights in August (a NY Times bestseller), Shooting Stars and Father’s Day, a personal story about his relationship with his twin son Zachary. He has been a reporter for some of the nation’s most prestigious newspapers; a magazine writer with published work in Vanity Fair, The New York Times Magazine, Time, The New Republic and Sports Illustrated; and a co-producer and writer for the ABC television drama NYPD Blue. Two of his works were made into the critically acclaimed films Friday Night Lights and Shattered Glass; three more are in active development. Friday Night Lights also served as the inspiration for the television series of the same name. His teleplay and screenwriting work includes collaborations with directors and/or writers Alan Pakula, Billy Bob Thornton, Greg Hoblit, Todd Field and Tim Kring. He has been a contributing editor at Vanity Fair magazine since 1996 and has written about such subjects as the systematic killings of gays by white teenagers in Texas; O. Simpson detective Mark Fuhrman; film director John Ford; Joe Di Maggio; the tragic killing of a college baseball player in a small town in Oklahoma by bored teenagers, and the saga of a six million dollar stolen Stradivarius. His Vanity Fair article "Gone Like the Wind," about the saga of Kentucky Derby winner Barbaro, was named a finalist in feature writing by the American Society of Magazine Editors in 2008. His awards include the Pulitzer Prize, the Livingston Award, the American Bar Association Silver Gavel Award, the National Headliners Award, and a Nieman fellowship from Harvard University, among others. Julia Bloch is the author of the prose poem collection Letters to Kelly Clarkson (Sidebrow Books, 2012), which was a finalist for the Lambda Literary Award, the poetry collection Valley Fever (Sidebrow Books, 2015), and several chapbooks, including Hollywood Forever (Little Red Leaves, 2015). She is the winner of the Joseph Henry Jackson literary award and the William Carlos Williams award for poetry; she is a 2017-2019 Pew Fellow in the Arts. Her poetry and translations have appeared in a number of journals and anthologies, including Aufgabe, Five Fingers Review, Women's Studies Quarterly, and Fence. She is working on a book of criticism focusing on the post-1945 long poem, lyric, and gender, and has published essays on Alice Notley, Gwendolyn Brooks, poetry and pop culture, and other topics in modern and contemporary poetics. She earned an MFA in poetry at Mills College and an MA and Ph D in English at the University of Pennsylvania. For two years, she taught literature in the Bard College Master of Arts in Teaching program in Central California. She now is an editor at Jacket2, the online journal of poetry and poetics, and directs the creative writing program at the University of Pennsylvania. Laynie Browne is the author of ten collections of poetry and two novels. Her most recent collection of poems, Lost Parkour Ps(alms) is out in two editions, one in English, and another in French, from Presses universitaires de Rouen et du Havré (2014). Her work appears recently in The Norton Anthology of Postmodern American Poetry (2013) as well as in Ecopoetry: A Contemporary American Anthology (Trinity University Press, 2013). Her honors include: a 2014 Pew Fellowship, the National Poetry Series Award, the Contemporary Poetry Series Award, and two Gertrude Stein Awards for Innovative American Poetry. She is co-editor of I’ll Drown My Book: Conceptual Writing by Women (Les Figues Press, 2012) and is currently editing an anthology of original essays on the Poet’s Novel. Forthcoming books include Scorpyn Odes (Kore Press) and P R A C T I C E (Split Level Texts). Email: [email protected] Burkhardt is a graduate of Davidson College and Columbia University’s School of the Arts where he received an MFA in Film. Scott was a writer on the NBC drama, SMASH, and is currently a Consulting Producer on MEN IN SHORTS, a comedy pilot for ABC/Universal TV. While at Columbia, Scott's thesis film, The Assastant, received the New Line Cinema Development Award and additional support and funding from the Milos Forman Foundation, The Caucus Foundation and the Carole and Robert Daly Foundation. At the 2008 Columbia University Film Festival, The Assastant was a Faculty Selects film and won the 20th Century Fox/Farrelly Brothers Outstanding Achievement in Comedy Award and the Student Choice Award for Best Writing. The film was nominated for a Student Academy Award and is available on Scott's screenplay, Slipstream, was a 2011 Nicholl Fellowship Quarterfinalist and 2010 American Zoetrope Quarterfinalist. The script has been optioned by Hard Headed Media with Scott attached to direct. Deborah Burnham is a lecturer and advisor in the English Department at Penn. For over twenty years, she headed the writing department and taught poetry at the Pennsylvania Governor's School for the Arts. Her book, set in the era of the Vietnam War, that engages questions of political action and family responsibility. Email: [email protected] Cary's new novel, If Sons, Then Heirs (Atria Books, April 2011), recounts a love story for our time while exploring a searing racial history that haunts—and impoverishes—its unforgettable characters. Publishers Weekly calls it: “an absorbing and moving tale.” Cary’s other books include: the best-selling memoir Black Ice, an American Library Association Notable Book for 1991 often taught in colleges and high schools; The Price of a Child, a 1995 novel chosen as the first One Book, One Philadelphia selection; Pride, a contemporary novel, and FREE! Great Escapes on the Underground Railroad, a collection of true-life stories for young readers, published in 2006. In December 2010, the public opening of The President’s House on Independence Mall in Philadelphia introduced visitors to five videos, shot from Cary’s original scripts, depicting the lived of nine enslaved Africans in the household of President George Washington as well as the free black men and women who helped two of them run to freedom. Now, more than 10,000 diverse participants enjoy the organization’s unique programs of excellent African-American arts and letters in inner-city Philadelphia. Signature events include the Celebration of Black Writing, at the National Historic Landmark Church of the Advocate, Temple University, and schools across the city. For arts activism, for her writing, and for her teaching as a Senior Lecturer at the University of Pennsylvania, Cary in 2003 received the Philadelphia Award, her city’s highest civic honor. Cary’s essays have appeared in publications including Newsweek, Time, Essence, and O Magazine. She lectures nationwide and has received five honorary doctorates. Smith; they live in Philadelphia and have two daughters, Laura and Zoë. She also serves as president of the Union Benevolent Society. Listen to Lorene Cary's September 23, 1998 reading at the Kelly Writers House (mp3 audio). Email: [email protected] Castillo is a writer and teacher who lives in Philadelphia, PA. He was born in Caracas, Venezuela, grew up in New York, and moved to Philadelphia to complete his MFA in Fiction at Temple University. He is the author of 49 Venezuelan Novels (2017), published by Bottlecap Press. His work has also appeared in Philadelphia Weekly, Peach Mag, Electric Literature, The Fanzine, and elsewhere. His writing and teaching is concerned with genre hybridity, experimental models of prose, and Latin American literature in translation. Anthony De Curtis is a contributing editor at Rolling Stone, where he has written for more than thirty-five years, and his work has also appeared in The New York Times and many other publications. He is the author of In Other Words: Artists Talk About Life and Work (Hal Leonard, 2005) and Rocking My Life Away: Writing About Music and Other Matters (Duke University Press, 1998). In addition, he coedited the third editions of The Rolling Stone Illustrated History of Rock & Roll and The Rolling Stone Album Guide (both published by Random House, 1992), and edited Present Tense: Rock & Roll and Culture (Duke, 1992). He edited Blues & Chaos: The Music Writing of Robert Palmer (Scribner, 2009). He is the coauthor of Clive Davis's autobiography, The Soundtrack of My Life (Simon & Schuster, 2013), a New York Times best-seller. He is currently writing a biography of Lou Reed for Little, Brown. in American literature from Indiana University and lives in New York City. His awards include a 1988 Grammy Award in the "Best Album Notes" category for his essay accompanying the Eric Clapton box set Crossroads, and three ASCAP Deems Taylor Awards for excellence in writing about music. Email: ADe [email protected] De Marco Van Cleve is a novelist, screenwriter, film producer and teacher. Her screenplay, Fugly, co-written with John Leguizamo, and starring Leguizamo, Rosie Perez, Griffin Dunne and Radha Mitchell, finished filming early October 2010 in New York City. Her most recent novel, Drizzle, was published in March 2010 under her married name, Kathleen Van Cleve, and received starred reviews from Publisher's Weekly and The Bulletin for the Center of Children's Books, and was named to Indiebound's Kids Next Spring 2010 list. She has produced the films Joe the King, (winner of the Waldo Salt Screenwriting Award at the 1999 Sundance Film Festival), Pinero, (a Miramax release starring Benjamin Bratt) and Undefeated (an HBO film starring Leguizamo). Her other novels are Cranberry Queen (optioned by Miramax Films) and The Difference Between You and Me. She graduated with a dual degree from the Wharton School and the College of Arts & Sciences in 1988. dramatic writing program as well as for Tisch's undergraduate dramatic writing candidates. She has been a consultant for NYU's Tisch School of the Arts M. She lives with her husband and two young sons in Philadelphia. edu Home page: and the Anahid Literary Award from the Armenian Center of Columbia University. Home page: Email: [email protected] Fried teaches longform nonfiction writing at Penn and Columbia University Graduate School of Journalism, and is the author of five acclaimed books, including the New York Times best-seller Appetite for America: Fred Harvey and the Business of Civilizing the West—One Meal at a Time, Bitter Pills, and Thing of Beauty: The Tragedy of Supermodel Gia (which introduced the word “fashionista” into the English language and inspired the Emmy-winning film Gia with Angelina Jolie.) A two-time winner of the National Magazine Award, Fried has been a staff writer for Vanity Fair, GQ, Glamour, Ladies’ Home Journal and Philadelphia magazine (where he was also editor in chief.) He is currently writing a biography of founding father Dr. Benjamin Rush--the “American Hippocrates” and the nation’s first champion of mental health care--for Crown, and co-authoring a medical memoir, A Common Struggle, with Congressman Patrick Kennedy for Blue Rider. He also lectures and does editorial consulting nationally, and serves as co-chairman of the Nora Magid Mentorship Prize, given annually to Penn’s most promising senior nonfiction writer. Fried lives in Philadelphia with his wife, author Diane Ayres. Email: [email protected] author page: Stephen Fried Website: Funderburg teaches creative nonfiction at UPenn and Rutgers. Her articles, essays, and reviews have appeared in publications such as The New York Times, The Washington Post, The Philadelphia Inquirer, The Nation, Salon, Cleaver, O, National Geographic, Architectural Digest, and Prevention. Funderburg won a Nonfiction Fellowship from the Pennsylvania Council on the Arts and has received support from the Leeway Foundation, Open Society Institute, Dick Goldensohn Fund for Journalists, Civitella Ranieri Foundation, Thurber House, Mac Dowell Colony, and Blue Mountain Center. Her plays have been produced or developed in over 50 venues in the United States. It was recently released in an updated 20th anniversary ebook edition, with links to updates from its original interviewees. She is an Adjunct Professor of playwriting at the University of the Arts. Her latest book is Pig Candy: Taking My Father South, Taking My Father Home (Free Press), which was selected by Drexel University in 2012 as its Freshman Read. Kenny Goldsmith Kenneth Goldsmith's writing has been called "some of the most exhaustive and beautiful collage work yet produced in poetry" by Publishers Weekly. Pig Candy could fit into several genres—including narrative nonfiction, memoir, travelogue, and biography—but essentially, it’s a book about life, death, and barbecue. Goldsmith is the author of eleven books of poetry, founding editor of the online archive ubu.com, and the editor of "I'll Be Your Mirror: The Selected Andy Warhol Interviews," which was the basis for an opera, "Trans-Warhol," that premiered in Geneva in March of 2007. Funderburg studied at Reed College and the Columbia University School of Journalism, and she lives in Philadelphia's Great Northwest (The Republic of Mt. Email: [email protected] Author's page: Lise Funderburg Website: Jacqueline Goldfinger is a Barrymore Award-winning playwright based in Philadelphia, PA and the Playwright-in-Residence at Azuka Theatre Company (M. An hour-long documentary on his work, "Sucking on Words" was first shown at the British Library in 2007. He teaches writing at The University of Pennsylvania, where he is a senior editor of Penn Sound, an online poetry archive. He held The Anschutz Distinguished Fellow Professorship in American Studies at Princeton University for 2009-10 and received the Qwartz Electronic Music Award in Paris in 2009. In May 2011, he was invited to read at President Obama's "A Celebration of American Poetry" at The White House, where he also held a poetry workshop with First Lady Michelle Obama. In 2011, he co-edited, "Against Expression: An Anthology of Conceptual Writing" and published a book of essays, "Uncreative Writing: Managing Language in the Digital Age," which won the 2011 Association for the Study of the Arts of the Present Book Award. Goldsmith participated in d OCUMENTA(13) in Kassel, Germany (2012). d OCUMENTA(13) published his "Letter To Bettina Funcke" as part of their "100 Notes - 100 Thoughts" book series. It was a national best-seller and a finalist in biography for the National Book Critics Circle Award. In 2013, he was named as the inaugural Poet Laureate of The Museum of Modern Art in New York More about Goldsmith can be found at: wikipedia.org/wiki/Kenneth_Goldsmith Paul Hendrickson's most recent book, Hemingway's Boat, was published by Alfred A. The Chicago Tribune awarded it its annual Heartland Prize. His book previous to this, Sons of Mississippi, also from Knopf, won the National Book Critics Circle Award in general nonfiction as well as the Heartland Prize. Sons was published in 2003, and its research and writing were supported by a Guggenheim Foundation fellowship and a National Endowment for the Arts literature fellowship. Before joining the faculty at the University of Pennsylvania, where he received the Provost’s Award for Distinguished Teaching in 2005, Hendrickson worked for thirty years in daily journalism. He was a staff feature writer at the Washington Post from 1977 to 2001. Eventually, he came to understand the truth of the old saying that the legs are the first to go, and that the honorable and difficult business of writing perishable pieces on deadline belonged to younger people. He needed to try to find a place--a home--where he could continue to work on books and the occasional magazine article and to be involved with gifted, creative people. So now, luck beyond dream, fortune beyond hope, he finds himself conducting writing workshops full time at Penn in advanced nonfiction. The late-coming professor, hardly young anymore, was born in California but grew up in the Midwest and in a Catholic seminary in the Deep South, where he studied seven years for the missionary priesthood. He is married and has two grown sons (both working in media) and lives with his wife, Cecilia, outside Philadelphia. This became the subject of his first book, published in 1983: Seminary: A Search. He has entered the terror, the "long joyful sickness"--as John Updike once called it--of the next book project. id= 12_28 Anna Maria Hong is the Visiting Creative Writer at Ursinus College and was a Bunting Fellow in Poetry at the Radcliffe Institute for Advanced Study in 2010–11. His other books are: Looking for the Light: The Hidden Life and Art of Marion Post Wolcott (a finalist for the 1992 National Book Critics Circle Award); and The Living and the Dead: Robert Mc Namara and Five Lives of a Lost War (finalist for the National Book Award in 1996). It has to do with Frank Lloyd Wright and is being supported at its outset by a second National Endowment for the Arts literature fellowship. In 2014, she won the inaugural Clarissa Dalloway Prize from the A Room of Her Own Foundation for her novella H & G. was published by the Belladonna* Collaborative in 2013. in creative writing from the University of Texas’ Michener Center for Writers. The winner of Poetry magazine’s 2013 Frederick Bock Prize and a six-time Pushcart Prize nominee, Hong has poems published and forthcoming in over 50 journals and anthologies including The Nation, Boston Review, The Best American Poetry, and Fire on Her Tongue: An Anthology of Contemporary Women’s Poetry. In addition to her individual writing, Hong has written lyrics for an ongoing collaboration with the Chicago-based composer Christopher Wendell Jones on a song series called The New Madrigals. Her short fiction appears in journals including The Iowa Review, Green Mountains Review, and Fence. The first installment from this collaborative series was performed by the Fonema Consort at the Chopin Theater in Chicago in May of 2013; the next event is scheduled for the spring of 2017 at De Paul University. Formerly a journalist covering cultural and Asian American issues, Hong has essays, interviews, and reviews published and forthcoming in Poets & Writers, The International Examiner, American Book Review, The Stranger, The Austin Chronicle, and The Offing, where she is a Contributing Editor. Melissa Jensen is a best-selling author of historical and contemporary genre fiction. Hong has received residencies from Yaddo, Djerassi, Fundación Valparaiso, and Kunstnarhuset Messen. Most recently, her young adult novel Falling in Love with English Boys was chosen as an official selection for the New York Public Library's Teen Summer Reading list. She has also written for numerous print media, including Philadelphia Style magazine and the Philadelphia Inquirer. She grew up in San Francisco before coming to Penn, where she received both her BA and MA. She now divides her time between Philadelphia and Dublin, where she is researching a book on social and political life in early-20th century Ireland. Email: [email protected] Josselyn is the Associate Director for Recruitment at the Center for Programs in Contemporary Writing and is a College House Fellow at Hill House on Penn's campus. She has previously worked at the Kelly Writers House as the Assistant to the Faculty Director and Coordinator of the Writers House Fellows Program. Jamie-Lee has taught creative nonfiction writing at St. Paul’s School’s Advanced Studies Program in Concord, New Hampshire, at the New England Young Writers Conference, and in the Philadelphia public school system and has co-led book groups for Penn alumni and for prospective students in the Writers House Online Book Groups Program. Her writing has been published in The Sun, The Philadelphia Inquirer, LOST Magazine, in the six-word memoir anthology It All Changed in an Instant, and elsewhere. Jamie-Lee has a BA from the University of Pennsylvania and an MFA from Bennington College where she was the nonfiction editor of The Bennington Review. Email: [email protected] Kant is a musicologist and dance historian (Ph. From the age of 14 she danced with the Komische Oper under the choreographer Jean Weidt. She has taught at the Regieinstitut Berlin, Hochschule fuer Musik/ Theater Leipzig, the University of Surrey in Guildford, Cambridge University, King's College London, and now at the University of Pennsylvania. She has written extensively on romantic ballet in the 19th century, education through dance in the 19th and 20th centuries, concepts of modern dance in the early 20th century and dance in exile. Her recent research project looks at dance ideologies from 1800 to 2000. In 2001/2002 she was a fellow at the Centre of Advanced Judaic Studies at the University of Pennsylvania. In the past years, together with musicians Marshall Taylor (saxophone) and Sam Hsu (piano) she developed a concert series remembering "entartete Musik", music banned by the Nazis in 1930s Germany. Her publications include: ", commissioned by the State Opera, Berlin (Inselverlag: Frankfurt/Main 2001). Email: [email protected] Kephart is the author of eighteen books, publishing memoir, young adult literature, a corporate fairytale, and an autobiography of a river called Flow: The Life and Times of Philadelphia’s Schuylkill River. Her Handling the Truth: On the Writing of Memoir (Gotham), based in part on her teaching at Penn, won the 2013 Books for a Better Life Award (Motivational Category), was featured as a top writing book by O Magazine, and was named a Best Writing Book by Poets and Writers. Small Damages (Philomel), a young adult novel that takes place in southern Spain, was named a 2013 Carolyn W. Field Honor Book and a best book of the year by many publications. Sky.: On Love and Loss One Wing at a Time, was recently selected for a print anthology. Radway’s Sarsaparilla Resolvent (Temple University Press), was named a top book of the year by Kirkus. Going Over (Chronicle), a young adult novel about the Berlin Wall, was the 2014 Parents’ Choice, Gold Medal Winner/Historical Fiction, named a Booklist top historical novel for youth, and was voted a 100 Children’s Books to Read in a Lifetime by Goodreads, among other honors. Her books have been translated into sixteen languages. Kephart is a National Book Award nominee and a winner of the Pennsylvania Council on the Arts fiction grant, a National Endowment for the Arts grant, a Leeway grant, a Pew Fellowships in the Arts grant, and the Speakeasy Poetry Prize, among other honors. She writes a monthly column on place and memory for the Philadelphia Inquirer, is a frequent contributor to the Chicago Tribune’s weekly books magazine, has given keynote addresses on the state of literature and teaching, and has judged numerous literary competitions for the National Book Awards and PEN, among others. Jay Kirk is the author of Kingdom Under Glass, which was named one of the Best Nonfiction Books of 2010 by the Washington Post. A frequent workshop leader and the strategic writing partner in a boutique communications firm, Kephart maintains an award-winning literary/photography blog at: Kephart was one of 50 Philadelphia writers chosen for the year-long Philadelphia’s Literary Legacy celebration of authors, playwrights and poets of the last 300 years, exhibited at the Philadelphia International Airport. His creative nonfiction has been published in Harper’s, GQ, The New York Times Magazine, and anthologized in Best American Crime Writing, Best American Travel Writing, and Submersion Journalism: Reporting in the Radical First Person from Harper’s Magazine. He was a National Magazine Award Finalist in 2013, and the recipient of a 2005 Pew Fellowship in the Arts. He is currently Documentary Artist for the ongoing Pew funded "Experiment in 5 Acts." His second book, Avoid the Day (Harper Perennial), is due out in 2015. Email: [email protected] La Ban lives in Philadelphia with her restaurant critic husband and two children. Her first adult novel, The Restaurant Critic's Wife, will be published by Lake Union Publishing on January 5, 2016. The Tragedy Paper, published by Knopf in 2013, is her first young adult novel and received a starred review from Booklist. It has been translated into eleven foreign languages. She is a freelance writer and editor whose work has appeared in The Philadelphia Inquirer, New York Newsday and The Times-Picayune, among other publications. She also ghost writes a weekly column, and has ghost written two books. In addition, she is the author of The Grandparents Handbook which was published by Quirk Books, and has been translated into seven foreign languages. She has a master's in journalism from Columbia University, and a bachelor's in English from Trinity College in Hartford. Elizabeth worked at NBC News in New York, taught journalism at a community college in New Orleans, and was a reporter at a number of small to mid-sized newspapers before she began writing books. Email: Elizabeth La Ban Lynn Levin, Lynn Levin, poet, writer, and translator, is the author of six books, most recently: Miss Plastique (Ragged Sky Press, 2013), a 2014 Next Generation Indie Book Awards finalist in poetry; as co-author, Poems for the Writing: Prompts for Poets (Texture Press, 2013), a 2014 Next Generation Indie Book Awards finalist in education/academic books; and a translation from the Spanish, Birds on the Kiswar Tree (2Leaf Press, 2014), a collection of poems by the Peruvian Andean poet Odi Gonzales. Her other books include Fair Creatures of an Hour (Loonfeather Press, 2009), a Next Generation Indie Book Awards finalist in poetry; Imaginarium (Loonfeather Press, 2005), a finalist for Fore Word Magazine’s Book of the Year Award; and A Few Questions about Paradise (Loonfeather Press, 2000). Lynn Levin’s poems have appeared in Ploughshares, Boulevard, Washington Square Review, Cimarron Review, 5 A. M., Kerem, Verse Daily, and on Garrison Keillor’s radio show The Writer’s Almanac. She has published essays in Southwest Review, Michigan Quarterly Review, Contemporary Poetry Review, Alimentum, Wild River Review, and other places. Her short fiction appears in Cleaver, The Rag, Rathalla Review, and YARN. Email: [email protected] Maria Machado’s debut short story collection, Her Body and Other Parties, is forthcoming from Graywolf Press in October 2017. Her fiction and nonfiction has appeared in The New Yorker, Granta, NPR, Electric Literature, Gulf Coast, Best American Science Fiction and Fantasy, and Best Horror of the Year. Her short story “The Husband Stitch” was nominated for the Shirley Jackson and Nebula Awards, awarded a Pushcart Prize Special Mention, and longlisted for the Tiptree Award. She holds an MFA from the Iowa Writers’ Workshop and has been awarded fellowships and residencies from the Michener-Copernicus Foundation, the Elizabeth George Foundation, the CINTAS Foundation, the Yaddo Corporation, Hedgebrook, and the Millay Colony for the Arts. She is Artist in Residence at the University of Pennsylvania, and lives in Philadelphia with her partner. Visit her website: https://carmenmariamachado.com/. Rick Nichols was a member of the editorial board and writer at The Philadelphia Inquirer for more than 30 years, lastly as a food columnist whose pieces have been regularly anthologized in the collection, Best Food Writing. Local foodways were the the heart of most of those columns, but he did pieces from Montana on huckleberry politics, from Hong Kong on the toll of avian flu, and in Mexico, on street fare in the Baja. Before joining the Inquirer, he was state editor of The Raleigh (N. He was a Nieman Fellow at Harvard University, and later taught journalism courses at Temple University. With his wife, Nancy Szokan, an editor at The Washington Post, he co-taught a seminar in 2004 at the University of Montana entitled “Truth-telling in the Age of Opinion.” He continues to write for local publications, plays a mean Scrooge in Narberth's annual Dickens Festival, and cooks a weekly staff meal with Sal Vetri at Amis, the Roman-style trattoria at 13th and Pine. To read his recent print work or view a video go to philly.com/philly/columnists /rick_nichols/ Email: [email protected] Perelman teaches at the University of Pennsylvania. He has published 19 books of poems, including: Iflife (N. Y: Roof Books, 2006); Playing Bodies, in collaboration with painter Francie Shaw (N. upenn.edu/pepc/ authors/perelman Email: [email protected] Polman is the Maury Povich "writer in residence," a full-time member of the CPCW faculty, as well as a political columnist for WHYY/Newsworks newsworks. He previously spent 22 years on the writing staff; most recently, as the national political writer from 1992 to 2006, he covered four presidential elections and dozens of Senate and House races nationwide. Y.: Granary Books, 2004); and Ten to One: Selected Poems (Middletown, Conn.: Wesleyan University Press, 1999). At other times, he was a foreign correspondent based in London; a baseball writer covering the Philadelphia Phillies; a general-assignment feature writer; and a longtime regular contributor to the newspaper's Sunday magazine, where he wrote long-form pieces about everything from Nazi war criminals to the comeback of the condom. Dick attended George Washington University, where he served as managing editor of the college newspaper, and graduated with a BA in Public Affairs in 1973. His critical books are The Marginalization of Poetry: Language Writing and Literary History and The Trouble With Genius: Reading Pound, Joyce, Stein, and Zukofsky. He first came to Penn in 1999, when he audited classes during a one-semester fellowship, and he started teaching at Penn part time in 2003. Dick and his wife, Elise Vider, live in Center City. They have a son, who works as a "solutions designer" for Comcast in Center City, and a daughter, who works as a website designer in San Francisco. Email: [email protected] Resnikoff is a poet, translator and editor. His most recent works include the chapbook Between Shades (Materialist Press, 2014) ​and ​the collaborative pamphlet Ten Four: Poems, Translations, Variations (OS Press, 2015) with Jerome Rothenberg. His​​ poetry, essays​ ​and​ ​translations have appeared or are forthcoming in a number of journals and magazines, including The Wolf Magazine for Poetry, Eleven Eleven,​ White Wall Review,​ Jacket2 ​and​ ​Mantis, among others. ​With Stephen Ross, he is at work on the first full-length translation and critical edition of Mikhl Likht's Yiddish modernist long poem, Protsesiyes (Processions). ​Ariel is an editor-at-large of Global Modernists on Modernism: A​ Sourcebook​(forthcoming Bloomsbury, 2017) and curates the "Multilingual Poetics" reading/talk series at Kelly Writers House. He has studied multilingual diaspora writing at the University of California in Santa Cruz, Mc Gill University, the University of Oxford, and independently in more than twenty countries over the past ten years. He is currently reading for a Ph D in comparative literature at the University of Pennsylvania and lives with his wife, Rivka Weinstock, in the Cedar Park neighborhood of West Philadelphia. Karen Rile is the author of Winter Music, a novel set in Philadelphia, and numerous works of fiction and creative nonfiction. Her writing has appeared in literary magazines such as The Southern Review, American Writing, Creative Nonfiction, The Land Grant College Review, Other Voices, Superstition Review, and Apiary, and has been shortlisted among The Best American Short Stories. Karen has written articles and essays for many publications including The San Francisco Chronicle, The New York Times, The St. She is a frequent contributor to the Pennsylvania Gazette and the Philadelphia Inquirer and writes a weekly parents’ column on She is also the founding editor of Cleaver Magazine, an online quarterly featuring poetry, literary fiction and nonfiction, flash, and art. Karen lives in Philadelphia and teaches fiction and creative nonfiction at the University of Pennsylvania Email: [email protected] Rome is a longtime journalist, editor and teacher. She worked at The Philadelphia Inquirer from 1979 to 2012, serving as a top editor in charge of projects and writing. For 11 years she was the editor of Inquirer Magazine. During her newspaper career she won 40 prizes, and projects she guided into print won over 200 prizes. A graduate of Swarthmore College, she began teaching writing and journalism at Penn in 2006 and shortly thereafter began coaching Wharton MBA students in writing. Since she left the Inquirer, she has edited fiction and nonfiction books, plays and screenplays, and she also volunteers her time as a farmer at Rushton Farms in Chester County, providing fresh produce for the West Chester Food Cupboard. Email: Avery Rome Gwyneth Shaw has been a journalist for 18 years, covering everything from hurricanes to national politics to NASA. She's worked for the Orlando Sentinel and Baltimore Sun newspapers, as well as the online-only New Haven Independent. She now runs her own site, The Nano State, and is at work on a book about the potential health and environmental risks of nanotechnology. Email: [email protected] Silliman has written and edited over 30 books of poetry, critical theory and memoir, most recently Wharf Hypothesis from Lines Press. Silliman’s anthology In the American Tree is the definitive gathering of language poetry and his own work is included in The Penguin Anthology of 20th Century American Poetry, The Oxford Anthology of Modern American Poetry, Poems for the Millennium and Against Expression: Anthology of Conceptual Writing. Among his awards, Silliman received the Levinson Prize from the Poetry Foundation in 2010, a Pew Fellowship, grants from the California and Pennsylvania Arts Councils and two literary fellowships from the National Endowment for the Arts. Silliman was a 2012 Kelly Writers House Fellow at the University of Pennsylvania and a keynote poet of the 43rd Poetry International Festival in Rotterdam later in the spring. His sculpture, From Northern Soul (Bury Neon), is installed in the transit center of Bury, Lancashire, where it is a part of the Irwell Sculpture Trail. Silliman's Blog has received over 3.5 million visits. In 2011 she was a Fulbright Fellow in Bologna, Italy; her translations from the Italian have been published in Pleiades, Hunger Mountain, The Atlanta Review, and Modern Poetry in Translation. She is the recipient of the Emory University Creative Writing Fellowship and the Vassar College W. Email: [email protected] Snelson is a writer, editor and archivist working on a dissertation entitled "Variable Format: Media Poetics and the Little Database." His online editorial work can be found on Ubu Web, Penn Sound, Jacket2 and Eclipse. He is the publisher of Edit Publications and runs the Edit Series at the Kelly Writers House in Philadelphia. In 2014, he served as exhibition advisor and program coordinator for the exhibition "Poetry will be made by all! " at LUMA/Westbau in Zürich, Switzerland, where he also serves as the series editor for the 1000 Books by 1000 Poets project. His work has been variously screened, published, performed or hosted internationally at venues including Centre Pompidou and The Sorbonne (Paris), The Drawing Center (NY), Godsbanen (Aarhus), D21 (Berlin), The Ontological-Hysteric Theater, and elsewhere. Recent works include Epic Lyric Poem and Brute Force both forthcoming online. [email protected] Strauss is a journalist whose work primarily appears in the , a news producer for KYW-TV in Philadelphia and a TV critic for the Asbury Park Press and Philadelphia Inquirer. He is the author of Daddy’s Little Goalie, a funny/sentimental memoir about being the father of girl jocks, and he also has an online column of the same name (“Daddy’s Little Goalie”) with Gannett. He is working on another memoir about going to 100 countries as a nerd/adventure traveler – hopefully the male nebbish equivalent of Eat, Pray, Love. Since he was in fifth grade and wrote the classic, "The Slick Second Baseman," Strauss has always wanted a career in writing and is glad to have had the chance. He is also a manic, if somewhat untalented, basketball and piano player. He loves to travel, but especially likes to country-count, a prospect that often has his children Ella (19) and Sylvia (16) rolling their eyes as they have, for instance, lunch in Liechtenstein or San Marino or a quick border crossing to Gibraltar. Strauss and his family live in Haddonfield, New Jersey. Email: [email protected]` Michelle Taransky is the author of , Then, selected by Marjorie Welish for the 2008 Omnidawn Poetry Prize. Taransky teaches critical and creative writing at University of Pennsylvania and poetry workshops at Temple University and works as assistant to the director at Kelly Writers House. degrees in American History from Cornell University. Taransky is also the Reviews Editor for the online poetry and poetics magazine Jacket2 (jacket2.org). While at Cornell he developed and for several years taught a writing course focusing on journalistic ethics. Email: [email protected] Tarr's career in journalism, which spans more than 30 years, has been focused on international affairs and scientific subject matter, especially molecular biology, biotechnology, and neuroscience. A former newspaper reporter, foreign correspondent for the Asian Wall Street Journal, and editor at various U. He has a master's degree from the Graduate School of Journalism at Columbia University, having specialized in science writing. S.-based science and medical publications, he is currently Senior Science Writer at Cold Spring Harbor Laboratory on Long Island and a contributor to various journals and magazines. He is engaged in two book projects, A Certain Blindness (U. intellectual history); and Science Nationalism: National Science Policy in a Transnational Age (History of Science). Email: [email protected] Vitez has been a staff writer at The Philadelphia Inquirer since 1985. He has covered a wide range of assignments, focusing the last decade on narratives in health care. In 2010, for instance, he spent a year at a local hospital writing about health reform, beginning each story from the bedside. In 1997, he won the Pulitzer Prize for Explanatory Journalism for a series of narratives he wrote about five individuals and the medical choices they faced, with their families, at the end of their lives. He believes we live in a world overrun by noise, news, facts, websites, publicists and information, and the way to penetrate the din is by telling stories. He was a Ferris Professor of Journalism at Princeton University in 2000, teaching narrative writing, and was a Michigan Journalism Fellow in 1994-95. Rocky Stories, Tales of Love, Hope and Happiness from America's Most Famous Steps, (Paul Dry Books, 2006), co-authored with Inquirer photographer Tom Gralish, is about people from all over the nation and world who still come to the Philadelphia Museum of Art every day to run the steps like Rocky Balboa. The Road Back (self-published, 2012) is the story of Matt Miller, 20, who nearly died in a head-on collision with a car on the Blue Ridge Parkway while training for a triathlon. Despite breaking every bone in his face and suffering extensive brain injury, within two years he entered medical school at Penn and completed an Ironman. He is now a resident training with the very surgeons who rebuilt his face and saved his life. Vitez is working on a third book now about storytelling. Kathryn (Kitsi) Watterson began her writing career as a newspaper reporter. Under the byline Kitsi Burkhart, she covered the anti-war movement and investigated the state prison system, police brutality and other issues for The Philadelphia Evening Bulletin in the 1970s. She is the author of nine books, three of which The New York Times named Notable Books of the Year. Her work includes the ground-breaking Women in Prison: Inside the Concrete Womb, which led to an ABC “Close Up” documentary, a play, and years of scholarly study. Her literary nonfiction includes Not by the Sword: How a Cantor and His Family Transformed a Klansman, which won a 1996 Christopher Award and inspired a play and an opera. You Must Be Dreaming (co-author) exposes a world-famous psychiatrist who systemically drugged and sexually assaulted his patients. This book was the basis of the NBC movie “Betrayal of Trust.” Watterson’s stories, essays and articles have appeared in The New York Times, The Philadelphia Inquirer and The International Herald Tribune, as well as in Tri Quarterly, Writers’ Forum, Northeast Corridor, Santa Monica Review, and Fourth Genre. Prior to coming to the University of Pennsylvania in 2003, Watterson taught writing at Princeton University, where she created seminars in which students worked in and wrote about community-based poverty programs. In collaboration with residents of Princeton’s historic black neighborhood, she led an oral-history project with Princeton undergraduates, graduates and staff. This project has turned into The North’s Most Southern Town: Voices of African-American Princeton 1900-2000, which is currently being prepared for publication. At Penn, Kitsi Watterson has hosted events at Kelly Writers’ House that included “Reckoning with Torture,” a film project of PEN and the ACLU, and “One Hundred Thousand Poets for Change.” She sings and drums with PLP (Peace, Love & Power): The Unity, a popular improvisational music trio. Currently she is at work on a novel and a short story collection. Email: [email protected] Wisher is the author of the poetry collection Monk Eats an Afro and the coeditor of the anthology Peace Is a Haiku Song. She holds an MA in English/Creative Writing-Poetry from Temple University and a BA in English/Black Studies from Lafayette College. Wisher is a 2015 Pew Fellow and a 2016 Hedgebrook Writer-in-Residence. She was named the first Poet Laureate of Montgomery County Pennsylvania in 1999 and the third Poet Laureate of Philadelphia in 2016. She is the 2017-2018 Poetry and Poetics Fellow at the Center for Programs in Contemporary Writing. She founded and directed the Germantown Poetry Festival (2006-2010), served as Director of Art Education for the City of Philadelphia Mural Arts Program (2010-2015), and worked as a Cultural Agent and Chief Rhapsodist of Wherewithal for the U. Rachel Zolf’s five books of poetry include Janey’s Arcadia (2014), Neighbour Procedure (2010) and Human Resources (2007), all from Coach House Books. She holds an MFA from The New School, where she conducted the first collaborative MFA in creative writing ever, and a Ph D in Philosophy, Art, and Social Thought from the European Graduate School, where she studied with Judith Butler and Fred Moten. She won the Trillium Book Award for Poetry and has been a finalist for two Lambda Literary Awards and the Raymond Souster Memorial Award, among other honors. Her film version of Janey’s Arcadia screened at venues such as the International Film Festival Rotterdam and the Vancouver Art Gallery, and a film she wrote directed by New York artist Josiah Mc Elheny, The Light Club of Vizcaya: A Women’s Picture, screened at White Cube (UK), Art Basel Miami, the Wexner Center for the Arts, and elsewhere. In addition to teaching courses at Penn in creative writing, she is Community Partnerships Developer at the Kelly Writers House, where she coordinates creative writing projects with Philadelphia communities, such as the Free Write prison writing program and the transcribez writing group for trans and gender nonconforming youth. Visit Rachel Zolf's site for links to work, recordings, interviews and more. Cristin O'Keefe Aptowicz is the author of five books of poetry: Dear Future Boyfriend, Hot Teen Slut, Working Class Represent, Oh, Terrible Youth and Everything is Everything. She is also the author of the non-fiction book, Words In Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam, which The Washington Post named as one of five Notable Books on Exploring Poetry in 2008. Born and raised in Philadelphia, Cristin moved to New York City at the age of 17. At age 19, she founded the three-time National Poetry Slam championship poetry series NYC-Urbana, which is still held weekly at the NYC's famed Bowery Poetry Club. and Australia, including the Sydney Opera House in Australia (2003), Joe's Pub in New York City (2002), the Largo Theatre in Los Angeles (2010) and over 100 universities and colleges. Her work has been published in Mc Sweeney's Internet Tendancies, Rattle, Barrelhouse, decom P, kill author, Conduit and La Petite Zine, among others. Cristin is using her Arts Edge residency to write a book on the life and times of Thomas Dent Mutter, founder of Philadelphia's (in)famous Mutter Museum, and will be teaching a course on non-fiction poetry and prose in the Spring semester. For more information, please visit her website at: Thomas Devaney is the author of four poetry collections, including Calamity Jane (Furniture Press, 2014), The Picture that Remains (The Print Center, 2014), A Series of Small Boxes (Fish Drum, 2007), The American Pragmatist Fell in Love (Banshee Press, 1999), and the nonfiction book Letters to Ernesto Neto (Germ Folios, 2005). His work has also appeared in A BEST OF FENCE: THE FIRST NINE YEARS, (Fence Books), AMERICAN POETRY: THE NEXT GENERATION (Carnegie Mellon), BOMB Magazine, The Brookyn Rail, and The American Poetry Review. He is the recipient of a Pew Fellowship in the Arts and fellowships from the French American Cultural Exchange and The Mac Dowell Colony. Devaney was the program coordinator of the Kelly Writers House from 2001 to 2005. Projects with the Institute of Contemporary Art include "Tales from the 215" for "Philadelphia Freedom" with Zoe Strauss and the “The Empty House" at the Edgar Allan Poe National Historic Site for "The Big Nothing.” Other projects include "Common Ground: Eight Philadelphia Photographers in the 1960s and 1970s" at the Philadelphia Museum of Art (2009). Devaney earned his MFA in Creative Writing at Brooklyn College, CUNY. He is the editor of the e-journal ONand On Screen, which pairs poems and videos. He teaches at Haverford College Home page: [email protected] Dinh was born in Saigon, Vietnam in 1963, came to the US in 1975, and has also lived in Italy and England. He is the author of two collections of stories, as one of the best books of 2004. He has been invited to read poems all over the US, and in London, Cambridge and Berlin, and his poems and stories have been translated into Italian, Spanish, Arabic and Japanese. As founder and editor of , a Philadelphia literary journal, he published the work of poets and artists as well as anonymous "found" literature in the form of letters and journals. He is on the Philadelphia Art in City Hall Advisory Committee and is active within the community of Philadelphia's alternative galleries, cooperatives, and non-profit arts organizations. In addition to his writing and visual arts activities, Mr. Marcella Durand’s recent books include Deep Eco Pré, a collaboration with Tina Darragh published by Little Red Leaves in 2009; Area, published by Belladonna Books in 2008 as part of the Council of Literary Magazines and Small Press’s FACE OUT program, and Traffic & Weather, a site-specific book-length poem written during a residency at the Lower Manhattan Cultural Council in downtown Manhattan (Futurepoem Books, 2008). She has collaborated with artists on various projects, including most recently a collaboration with New Orleans artist Karoline Schleh titled, “Stare: What Wild New World Is This? She has talked about the potential intersections of poetry and ecology at Kelly Writers House, Poets House, Small Press Traffic, Naropa University, and other venues. Her essays and poetry have appeared in The Nation, Ecopoetics, NYFA Current, Conjunctions, The Poker, HOW(2), Critiphoria, The Denver Quarterly, and other journals. She was a 2009 fellow in Poetry from the New York Foundation for the Arts. upenn .edu/pennsound/x/PDF of Deep Eco Pré: littleredleaves.com/ebooks/catalog/ Lee Eisenberg, a Penn alumnus, spent seventeen years at , where he served as editor-in-chief through the 1980s. In 1983, he conceived and commissioned the magazine's widely admired Fiftieth Anniversary issues, including "50 Who Made the Difference," which received a National Magazine Award. In 1995, Eisenberg was hired to oversee creative development at 's Person of the Century. In 1999, Eisenberg was appointed Executive Vice President and Creative Director at Lands' End, where he oversaw all creative and marketing activities. In 2003, he was promoted to the company's Office of the President, and served as Chief Creative and Administrative Officer. He resigned in March 2004 to begin work on , among many other publications. is a journalist with more than 30 years of experience covering breaking news and news features, government, politics and investigations. In his years at , he worked as state government reporter and City Hall bureau chief, as national reporter, chief political writer, investigative reporter and poverty writer. He helped establish the paper's Computer Assisted Reporting unit. He currently writes a weekly column that appears on the paper's Op Ed page. Kate Fodor is a recipient of the Kennedy Center's Roger L. Stevens Award, the National Theater Conference's Barrie Stavis Award, a Joseph Jefferson Citation, an After Dark Award, and a finalist position for the Susan Smith Blackburn Prize. The plays were developed at Steppenwolf Theatre Company, Hartford Stage, and Chautauqua Theater Company. Kate is currently working on commissions from the Mark Taper Forum and Epic Theater Ensemble. In addition, she has a screenplay under development with Killer Films and is developing a television series with Killer and the fashion icon Isaac Mizrahi. In 2004, Kate was named one of "Eight to Watch" in the theater world by . Poet, scholar, and multimedia artist Christopher Funkhouser is a leading researcher in the developing genre of digital poetry. In 2009, the Associated Press commissioned him to prepare digital poems for the occasion of Barack Obama’s inauguration. He is author of a major documentary study, Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995, published in the Modern and Contemporary Poetics Series at University of Alabama Press (2007). An e Book (CD-ROM), Selections 2.0, was issued by the Faculty of Creative Multimedia at Multimedia University (2006). He is a member of the scientific review committee of the digital literature journal regards croisés, based at Université Paris 8, and has produced and edited many publications online and in-print, including an early Internet-based poetry magazine, (We 17, 1993), and the first literary journal on CD-ROM in the United States (The Little Magazine, Vol. Since 1986 he has been an editor with We Press, with whom he has produced poetry in a variety of media. He is an Associate Professor in the Humanities Department at New Jersey Institute of Technology. In 2006 he was a Visiting Fulbright Scholar at Multimedia University in Cyberjaya, Malaysia, and in 2007 he was on the faculty of the summer writing program at Naropa University. Home Page: Email: [email protected] Erin Gautsche is the Program Coordinator for the Kelly Writers House at the University of Pennsylvania and coordinates the 300 free and public literary programs that the Writers House offers every year, and produces of the long-running monthly radio show, “LIVE at the Writers House” on 88.5-FM WXPN. She runs the 15th Room Press, a division of the Common Press a collaborative letterpress project at Penn. She is a member of the arts advisory board for the First Person Festival, the only national festival dedicated to documentary and memoir writing. She has an MLA from the University of Pennsylvania in post-war poetics, art history, and fiction writing. She has led writing workshops for children in Indiana and Guatemala, and reading and writing groups for adults in Philadelphia and an online book group for Penn alumni in the Writers House Online Book Groups Program. Bruce Graham is a playwright whose plays include, which was recently published by Heinemann. Graham has received grants from the Pew Foundation, the Rockefeller Foundation and was a recipient of the Princess Grace Foundation Statuette Award. He currently teaches playwriting and film courses at the University of Pennsylvania and Drexel University. Graham lives in Media, Pennsylvania, with Stephanie and their daughter, Kendall. Carl Haber is a screenwriter, director and producer with numerous credits in film, theater and TV. He has written stories and screenplays for Hollywood movies and independent films, as well as original motion pictures and TV movies in Italy, the Czech Republic, and Brazil. He founded and led a workshop in Rome for professional actors, and taught directing, production and acting at the Prague Film School in the Czech Republic, where he supervised nearly 1,000 student scripts and films and served as faculty chair. A member of the Writers’ Guild of America since 1988, a Philadelphia native, and a Penn alumnus, Carl Haber is currently developing several new feature films based on scripts he wrote, in Europe and the US, including projects to shoot in Philadelphia. Erica Hunt works at the forefront of experimental poetry and poetics, critical race theory, and feminist aesthetics. Hunt has also worked as a housing organizer, radio producer, poetry teacher, and program officer for a social justice campaign. Hennessey is the Managing Editor of Penn Sound, and author of the “Penn Sound Daily” column. She is currently president of The Twenty-First Century Foundation which supports organizations addressing root causes of social injustice impacting the Black community. He holds an MFA in Creative Writing from Emerson College. Recent critical work has appeared in English Studies in Canada, Interval(le)s, MELUS, and Redivider, with book chapters forthcoming in The New American Poetry: Fifty Years Later and a critical anthology on the audiobook. : Writing Exercises for Fiction Writers, Fooling Around in Prose: An Anthology of Postmodern Fiction, and Red Letters, as well as the chapbook, Last Days in the Bomb Shelter (17 Narrower Poems),(Satellite 7 Press, 2008). Naomi Jackson is the recipient of the 2013-2014 Arts Edge residency at the University of Pennsylvania’s Kelly Writers House. She studied fiction at the Iowa Writers’ Workshop, where she was awarded the Schultz Fellowship for Excellence in Fiction to complete her first novel, Star Side of Bird Hill. Jackson traveled to South Africa on a Fulbright scholarship, where she received an M. in Creative Writing from the University of Cape Town. In addition to Penn, he teaches playwriting, screenwriting and film analysis courses at Yale and Johns Hopkins. A graduate of Williams College, her work has appeared in brilliant corners, The Encyclopedia Project, The Caribbean Writer, and Sable. His plays have been produced off-Broadway and in various regional festivals. Email: [email protected] Levitsky is a practitioner of a hybrid form of poetry, one that frequently and freely crosses the boundaries of verse and prose, imagination and critique, story and polemic. Her short story, “Ladies” was the winner of the 2012 BLOOM chapbook contest. In addition to her book length poem Under the Sun, published by Futurepoem in 2003, she is the author of five chapbooks of poetry, Dearly (a bend, 1999), Dearly 356, Cartographies of Error (Leroy, 1999), The Adventures of Yaya and Grace (Potes Poets, 1999) and 2(1x1)Portraits (Baksun, 1998). She has been a resident at Hedgebrook and Vermont Studio Center and received the Archie D. Walker scholarship at the Fine Arts Work Center in Provincetown. Her second full-length volume, another serial work, is called NEIGHBOR, and will be out from Ugly Duckling Presse in 2009. She co-founded the Tongues Afire creative writing workshop at the Audre Lorde Project in Brooklyn in 2006. He studied Irish and English Drama at Exeter College, Oxford University and received his M. from Malcolm Bradbury's Creative Writing Workshop at the Univ. Levitsky writes poetry plays, three of which (one with Camille Roy) have been performed in New York and San Francisco. (Photo credit: Lola Flash) Marc Lapadula graduated cum laude from the Univ. Her work is published in magazines such as The Recluse, Sentence, Fence, The Brooklyn Rail, Global City, The Hat, Skanky Possum, Lungfull! I & II), Bowery Women, and 19 Lines: A Drawing Center Writing Anthology. Recently her work was translated into Icelandic for the anthology 131.839 Slög Med Bilum by poet Eiríkur Örn Nordahl and into Japanese for the Tokyo Poetry Festival Anthology by poet Kyung-Mi Park. Online poetry and critical essays can be found on such sites as Narrativity, Duration Press, How2, and Web Conjunctions. She has taught poetry workshops at Woodland Pattern, Naropa University, Poets House, The Poetry Project and Pratt Institute. Rachel Levitsky is also the founder and co-director of Belladonna* which is an event and publication series she began in 1999 in order to explore and advance feminist avant-garde poetics. blogspot.com/2008/02/ org/eoagh/issue3/ issuethree/ online_archive/v2_4_2006/current /forum/Email: [email protected] Lowenthal is a poet and Director of the Kelly Writers House. Now in its tenth year, Belladonna* has hosted around 150 women and men whose writing is formally adventurous and politically engaged. She holds an MA in literature from Penn and an MFA in poetry from the Iowa Writers Workshop. Lowenthal's work has appeared in various journals (Apex of the M, Colorado Review, The Germ, Talisman, and elsewhere) and her chapbook, as if in turning, was published by Burning Deck Press. Emial: [email protected] Mc Kinney-Whetstone is the author of three critically acclaimed novels: . She is the recipient of numerous awards including a special citation from the Athenaeum of Philadelphia for an outstanding work of fiction by a Philadelphia author, an award from the Zora Neale Hurston Society for creative contribution to literature, and resolutions from the City of Philadelphia and Senate of Pennsylvania for her portrayal of urban life. She is a past recipient of a Pennsylvania Council on the Arts grant and has lectured widely on the writing process. She is a graduate of the University of Pennsylvania. Liz Moore studied literature and creative writing at Barnard College, where she began her first novel, The Words of Every Song (Broadway 2007). She received her MFA in Fiction from Hunter College. There, she studied with Peter Carey, Colum Mc Cann, and Nathan Englander, and also taught creative writing courses to undergraduate students. Moore is the recipient of the 2009 Arts Edge Residency through the Kelly Writers House. She currently teaches creative writing and composition at Holy Family University in northeast Philadelphia, and she's at work on her second novel. Email: [email protected] Morris is a multi-disciplinary poet who has worked in theater, dance, music and film. She has toured extensively throughout the United States, Canada, Europe, Africa and Asia. Primarily known as a "musical poet," Tracie has worked with an extensive range of internationally recognized musicians and other artists. She has participated in a dozen recording projects. Her sound poetry has most recently been featured in the 2002 Whitney Biennial. She is the recipient of numerous awards for poetry including the New York Foundation for the Arts Fellowship, Creative Capital Fellowship, the National Haiku Slam Championship and an Asian Cultural Council Fellowship. She is the author of two poetry collections, Intermission and Chap-T-her Won. His exhibitions include: the MFA Thesis Group Exhibition, the Ice Box Project Space, Philadelphia, PA (2005); Solo Painting Exhibition, Big Jar Books, Philadelphia, PA (2003); and Group Exhibitions, Sofa Gallery, Bloomington, IN (2002, 2001). She has delivered academic papers at the New York University Soul: Black Power, Politics and Pleasure Conference, The Hemispheric Conference in Lima, Peru, The Langston Hughes Centenary Conference at Yale University, Poetry and the Public Sphere at Rutgers University and the African-American Poetry Conference for the Poetry Society of America. He held an internship at the Museum of Modern Art, New York, NY in 2000. Her poetry has been anthologized in literary magazines, newspapers and books including. Born and raised in Philadelphia, Keir Politz completed an MFA at Columbia University where he was a recipient of the John and Jane Smith Fellowship for excellence in screenwriting and one of five film department fellowships. Her words have also been featured in commissioned pieces for several organizations including Aaron Davis Hall, the International Festival for the Arts, The Kitchen, Franklin Furnace and Yale Repertory Theater for choreographer Ralph Lemon. His short film, A Piece Of America, won the Audience Choice award at the 2007 Columbia University Film Festival and was selected as one of only four U. films to be screened at the prestigious 2008 Clermont-Ferrand Short Film Festival in France. She teaches at Eastern Michigan University Donna Jo Napoli is a linguist and a writer. His feature film, Detonator, will screen as a special "Sneak Preview" at the 21st Philadelphia Film Festival, and he is currently developing his second feature film. She has published over 70 books for young people, from picture books to young adult novels, from historical fiction to contemporary funny tales to gothic horror, and, of special interest to her are fairytales, myths, and religious stories. Email: [email protected] Potts has reported from more than sixty countries for the likes of National Geographic Traveler, The New Yorker, Slate.com, Outside, the New York Times Magazine, The Believer, The Guardian (U. Her books have won the Golden Kite, Sydney Taylor, Parents’ Choice Gold, and many other awards, and have been translated into many languages. K.), National Public Radio, and the Travel Channel. Her degrees are from Harvard (BA in mathematics; Ph D in Romance Languages and Literatures), with a postdoc at MIT (in Linguistics). A veteran travel columnist for the likes of and World Hum, his adventures have taken him across six continents, and include piloting a fishing boat 900 miles down the Laotian Mekong, hitchhiking across Eastern Europe, traversing Israel on foot, bicycling across Burma, driving a Land Rover across South America, and traveling around the world for six weeks with no luggage or bags of any kind. She has an MFA from the University of Arizona, and her short stories have been published in among other places. Her website is Neff teaches printmaking in the Undergraduate Fine Art Department at Penn. Potts is perhaps best known for promoting the ethic of independent travel, and his book on the subject, Vagabonding: An Uncommon Guide to the Art of Long-Term World Travel (Random House, 2003), has been through thirteen printings and translated into several foreign languages. She was a Stegner Fellow in Fiction at Stanford University in 2002-2003, and was recently a scholar at Bread Loaf Writers’ Conference. His newest book, Marco Polo Didn't Go There: Stories and Revelations From One Decade as a Postmodern Travel Writer (Travelers' Tales, 2008), won a 2009 Lowell Thomas Award from the Society of American Travel Writers, and became the first American-authored book to win Italy's prestigious Chatwin Prize for travel writing. She is currently finishing a novel set in Oxford about severed limbs and disappearing gargoyles. Though he rarely stays in one place for more than a few weeks or months, Potts feels somewhat at home in Bangkok, Cairo, Pusan, New Orleans, and north-central Kansas, where he keeps a small farmhouse on 30 acres near his family. Greg Romero is a playwright/theater artist, originally from Louisiana, and the first Resident Writer of the Arts Edge Residency created by Kelly Writers House and the University of Pennsylvania. Each July he can be found in France, where he is the summer writer-in-residence at the Paris American Academy. Currently based in Philadelphia, his works include The Most Beautiful Lullaby You’ve Ever Heard, The Milky Way Cabaret, The Mishumaa, and Dandelion Momma, which have been produced off-off Broadway by City Attic Theatre and Working Man’s Clothes Productions, and across the country by Salvage Vanguard Theater, Rude Mechanicals Theatre Collective, Theater In My Basement, Specific Gravity Ensemble, Little Fish Theatre, City Theater Company, Gobotrick Theatre Company, Audacity Productions and in the bathrooms of Actors Theatre of Louisville. He has been a finalist for the Heideman Award, and a semi-finalist for the Princess Grace Award. Romero has collaborated several times with electronic music composer Mike Vernusky on such projects as The Book of Remembrance and Forgetting, The Eulogy Project, and currently, Radio Ghosts, in a form recently called “electro-theater”. He has been commissioned by The Cardboard Box Collaborative, Austin Script Works, and Audacity Theatre Lab, and is a member of Philadelphia Dramatists Center, Literary Managers and Dramaturgs of the Americas, The Playwrights’ Center of Minneapolis, and The Dramatists Guild of America. His works have been published by Heinemann Press and Playscripts, Inc. He has taught at The University of the Arts, The Wilma Theater, Philadelphia Dramatists Center, and The Eugene O’Neill National Theater Institute. Romero received a BA in Liberal Arts from the Louisiana Scholars College and an MFA in Playwriting from The University of Texas-Austin where he held the James A. Email: [email protected] Rickey, the Philadelphia Inquirer’s long-time movie reviewer, has had syndicated reviews and features appearing in more than 300 newspapers worldwide, including The Chicago Tribune, The Miami Herald and The Sydney (Australia) Morning News. Her essays on art and on film have appeared in periodicals including American Film, Artforum, Art in America, Entertainment Weekly, Film Comment, The Museum of Modern Art Magazine, The New York Times. and The Wall Street Journal, and they have been collected in many anthologies, including Top of the Order (Da Capo, 20100), American Movie Critics (Library of America, 2006), The X List (Da Capo, 2005), The American Century (Whitney Museum/Norton) 2000), and The Rolling Stone History of Rock’n’Roll (Random House, 1992). She has appeared on many national television and radio shows including CBS Morning News, CNN, Entertainment Tonight, MSNBC, NPR’s “Talk of the Nation” and “The Today Show," and as a talking head on PBS, BBC, The History Channel and MSNBC documentaries including “American Masters: Martin Scorsese,” “Headliners and Legends: Natalie Wood,” and “E! c=r Email: [email protected] Rosenthal, a graduate of Temple University, the University of Vermont, and the University of the Pacific (D. in Medieval Studies) has been a highly respected Hollywood screenwriter for nearly twenty years. True Hollywood Story: Will Smith.” She posts a blog, Flickgrrl, on His film credits as a screenwriter include (Fox 2005). In addition to his active career in the film world, he has lectured extensively at film classes, seminars, and universities, and has worked with numerous arts organizations. Alec Sokolow was born in New York City in 1963, and graduated from Penn with a B. in Communications (1985) and four varsity letters playing squash on the Penn team. His first paying writing job was as a contributor to Using both digital and analog methods, Tricia merges type and image in her work. Since 2000, she’s been running her own letterpress design studio—Pointed Press—creating custom book and print work for commercial clients and collaborating with other artists and international writers. Clients have included Blank Rome, Comcast, The Philadelphia Museum of Art, and the University of Pennsylvania. Her studio is located in Swarthmore, Pennsylvania, slightly south of Philadelphia. She is a book artist, designer, conceptual thinker, printmaker, and experiments with new forms of media to execute her ideas. She is inspired by information design, film, language, maps, music and typography. Currently, she is an Adjunct Assistant Professor in Visual Communications at the University of Delaware; as well as a Lecturer at The University of Pennsylvania. She earned her BA from West Virginia University and her MFA from The University of the Arts, Philadelphia. Her books are in collections throughout the country. Email: [email protected] page: Van Doren has been a publisher and editor of children's books for more than twenty years. She has published a wide variety of award- winning books in all genres, from picture books to middle grade novels to young adult fiction. She has worked with many well-known and highly- lauded writers including Jane Yolen, Mary Ann Hoberman, Andrea and Brian Pinkney, Alison Mc Ghee, Sarah Weeks, and Leo and Diane Dillon and has nurtured the careers of successful new writers, most notable among them Deborah Wiles, whose second novel, was a finalist for the National Book Award. Other books Van Doren has edited have been named Book Sense Children's Pick, ALA Notable Book, Child Magazine Best Book of the Year, Coretta Scott King Honor Book, Top Ten Books of the Year, among many other awards and honors. In addition to acquiring, editing, and publishing books, Van Doren has also spoken frequently at writers' conferences and has led writing workshops. The most important thing she looks for in a manuscript is whether the book is emotionally resonant for children. As a former high school teacher and a parent, she is very attuned to children's interests and what sparks their imagination. Lawrence Venuti, Professor of English at Temple University, works in early modern literature, British, American, and foreign poetic traditions, translation theory and history, and literary translation. His translation projects have won awards and grants from the PEN American Center (1980), the Italian government (1983), the National Endowment for the Arts (1983, 1999), and the National Endowment for the Humanities (1989). In 1999, he held a Fulbright Senior Lectureship in translation studies at the Universitat de Vic (Spain). Wolk has taught extensively and served as a Creative Adviser and Artistic Director for the Sundance Institute's Screenwriting Labs. Andy Wolk has been an acclaimed screenwriter and director in Los Angeles for many years. He is a graduate of the University of Pennsylvania, which awarded him a Thouron Scholarship, and he has an MFA from Carnegie-Mellon University. Courtney Zoffness graduated from Penn with a BA cum laude in English, where she founded and ran the "Speakeasy" open mic series at the Kelly Writers House. She went on to receive an MA in fiction from Johns Hopkins University, where she was a teaching fellow, and an MFA in fiction from the University of Arizona, where she received the Minnie M. Torrance Scholarship in creative writing and a UA Foundation Award. Her writing has appeared in dozens of publications, including Washington Square, Tampa Review, Saint Ann’s Review, Redivider, the international Fish Prize Stories, the New York Metro, the United-Nations-sponsored Earth Times, of which she was managing editor. She’s also been honored by residency scholarships from the Bread Loaf Writers’ Conference and the Vermont Studio Center. Courtney was a visiting assistant professor at Allegheny College from 2009-2010, and an international faculty member at the University of Freiburg in Germany in summer 2010. Currently she’s a Davenport College Teaching Fellow in creative writing at Yale University. 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